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	<title>Musings</title>
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		<title>TV &#8211; The Returned (Aly, Walk With Me)</title>
		<link>http://nishajl.com/2013/06/18/tv-the-returned-aly-walk-with-me/</link>
		<comments>http://nishajl.com/2013/06/18/tv-the-returned-aly-walk-with-me/#comments</comments>
		<pubDate>Tue, 18 Jun 2013 21:32:42 +0000</pubDate>
		<dc:creator>nishajl</dc:creator>
				<category><![CDATA[Musing]]></category>
		<category><![CDATA[2007]]></category>
		<category><![CDATA[2013]]></category>
		<category><![CDATA[indie]]></category>
		<category><![CDATA[Les Revenants]]></category>
		<category><![CDATA[rock]]></category>
		<category><![CDATA[soundtrack]]></category>
		<category><![CDATA[sync]]></category>
		<category><![CDATA[The Ravonettes]]></category>
		<category><![CDATA[The Returned]]></category>
		<category><![CDATA[tv]]></category>

		<guid isPermaLink="false">http://nishajl.com/?p=4120</guid>
		<description><![CDATA[If you haven&#8217;t seen it yet &#8211; it&#8217;s one of the latest imports for British television audiences, this time from France &#8211; The Returned (&#8220;Les Revenants&#8221; &#8211; literally, &#8220;the ones who came back&#8221;). After The Killing and The Bridge it feels like we&#8217;re in a 90s / 00s out-of-control &#8221;The&#8221; bands names frenzy (The Vines, The&#160;&#8230; <a href="http://nishajl.com/2013/06/18/tv-the-returned-aly-walk-with-me/">Read&#160;more</a>]]></description>
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		<title>ETML &#8211; Bind Me</title>
		<link>http://nishajl.com/2013/06/15/etml-bind-me/</link>
		<comments>http://nishajl.com/2013/06/15/etml-bind-me/#comments</comments>
		<pubDate>Sat, 15 Jun 2013 22:24:28 +0000</pubDate>
		<dc:creator>nishajl</dc:creator>
				<category><![CDATA[Musing]]></category>
		<category><![CDATA[2013]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[ETML]]></category>
		<category><![CDATA[house]]></category>

		<guid isPermaLink="false">http://nishajl.com/?p=4099</guid>
		<description><![CDATA[When I found out last week that ETML is 18, my &#8220;is that a new Disclosure track?&#8221; reaction on first listen felt somewhat vindicated. ETML is a similarly talented dance music producer, writer and singer born in the 1990s &#8211; and the comparisons were inevitable. An undeniable and irresistible summer club track, as accessible as Disclosure&#8217;s &#8220;White Noise&#160;&#8230; <a href="http://nishajl.com/2013/06/15/etml-bind-me/">Read&#160;more</a>]]></description>
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		<title>Hannah Cohen &#8211; The Crying Game</title>
		<link>http://nishajl.com/2013/06/08/hannah-cohen-the-crying-game/</link>
		<comments>http://nishajl.com/2013/06/08/hannah-cohen-the-crying-game/#comments</comments>
		<pubDate>Sat, 08 Jun 2013 11:24:42 +0000</pubDate>
		<dc:creator>nishajl</dc:creator>
				<category><![CDATA[Musing]]></category>
		<category><![CDATA[2012]]></category>
		<category><![CDATA[acoustic]]></category>
		<category><![CDATA[singer-songwriter]]></category>

		<guid isPermaLink="false">http://nishajl.com/?p=4083</guid>
		<description><![CDATA[&#8220;Hannah Cohen is an American singer-songwriter&#8221;, says Google. Factual, yes, but doesn&#8217;t even come close to doing her justice. The first words that come to mind on hearing her voice are, for me, delicate, vulnerable, sincere, tentative &#8211; as though she&#8217;s fearful of even breathing the words that express the intense longing and sadness she&#8217;s trying so hard to&#160;&#8230; <a href="http://nishajl.com/2013/06/08/hannah-cohen-the-crying-game/">Read&#160;more</a>]]></description>
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		<title>Findlay &#8211; Your Sister</title>
		<link>http://nishajl.com/2013/06/04/findlay-your-sister/</link>
		<comments>http://nishajl.com/2013/06/04/findlay-your-sister/#comments</comments>
		<pubDate>Tue, 04 Jun 2013 20:04:34 +0000</pubDate>
		<dc:creator>nishajl</dc:creator>
				<category><![CDATA[Musing]]></category>
		<category><![CDATA[2012]]></category>
		<category><![CDATA[gig]]></category>
		<category><![CDATA[rock]]></category>

		<guid isPermaLink="false">http://nishajl.com/?p=4069</guid>
		<description><![CDATA[The way I described Wild Belle&#8217;s Natalie Bergman in my last post might lead you to expect an arrogant, bitchy, over-the-top contrast in this next one&#8230;.more sassy, confident, full-on garage rocker. The chequered playsuit she wore at Brighton&#8217;s Blind Tiger for her set at The Great Escape this year could be seen as a bit&#160;&#8230; <a href="http://nishajl.com/2013/06/04/findlay-your-sister/">Read&#160;more</a>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Wild Belle &#8211; It&#8217;s Too Late</title>
		<link>http://nishajl.com/2013/06/01/wild-belle-its-too-late/</link>
		<comments>http://nishajl.com/2013/06/01/wild-belle-its-too-late/#comments</comments>
		<pubDate>Sat, 01 Jun 2013 19:01:50 +0000</pubDate>
		<dc:creator>nishajl</dc:creator>
				<category><![CDATA[Musing]]></category>
		<category><![CDATA[2013]]></category>
		<category><![CDATA[gig]]></category>
		<category><![CDATA[pop]]></category>
		<category><![CDATA[reggae]]></category>
		<category><![CDATA[ska]]></category>

		<guid isPermaLink="false">http://nishajl.com/?p=4045</guid>
		<description><![CDATA[I saw this band back in April at Cargo &#8211; still the best gig I&#8217;ve been to so far this year &#8211; and actually wrote about them briefly in a related post about the soundtrack to the movie Pitch Perfect, which featured the lead track from their debut album, Isles, &#8220;Keep You&#8221;. So why are&#160;&#8230; <a href="http://nishajl.com/2013/06/01/wild-belle-its-too-late/">Read&#160;more</a>]]></description>
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